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He argues that if Disney had fully embraced the dark nature of the source material by building the soundtrack upon numbers like "Hellfire" and "Sanctuary! When sinful thoughts regarding the beautiful Romani woman Esmeralda enter Frollo's mind, he "panics and seeks to rid himself of [its] source". It begins in B flat major , before turning to its relative minor G. The studio attempted to produce an animated film with an audience broader than only children: the main target audience of Disney animated features. He adds that "accompanied by intense music of agony and complex lyrics of psychological revelation, 'Hellfire' is everything a musical scene aspires to be. He sings "destroy Esmeralda, and let her taste the fires of hell, or else let her be mine and mine alone" while the image of Esmeralda "provocatively dances in front of him". The apparition disappears as a guard enters, informing Frollo that Esmeralda escaped from the Cathedral of Notre Dame where Frollo had "imprisoned" her.

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